Deleted
Deleted Member
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Post by Deleted on Dec 31, 2020 12:21:44 GMT
It constantly amazes me the level of sound design that BF guys/girls come up with the ideas these guys must have of how to create what a script calls for and deserves
just Listening to Brood of Erys from skimmers to birthing Drachee sounds and the inner aspect of Erys herself...maybe they do not get enough recognition unlike writers actors,directors and cover designers but let’s be honest without them...these CDs would be very very very dull.
Have you can’t favourites among the sound designers?
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Post by kennysmith on Jan 7, 2021 19:58:03 GMT
I love them all. It is so tough to do!
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izp1
Big Finish Creative Team
Not actually a member of a Big Finish Creative Team but I've worked for them off and on since 2002.
Likes: 175
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Post by izp1 on Jan 8, 2021 9:44:44 GMT
Alistair and Nick set the bar really high with those first releases. So far ahead of anything the BBC was doing and still is. Love and dedication beyond their pay grades.
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ljwilson
Chancellery Guard
It's tangerine....not orange
Likes: 5,062 
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Post by ljwilson on Jan 8, 2021 12:32:10 GMT
Ian P knows I have a soft spot for The Time of the Daleks sound design and music, so for another shout I'm going for Steve Foxon. He understands, and delivers fantastic scores and atmosphere (Dreamtime and The Juggernauts, for instance).
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Post by constonks on Jan 12, 2021 16:02:24 GMT
Listening to Terror of the Master (sound design, Steve Foxon) I was thinking about how much more engaging a traditional audiobook is with music and sound effects. Such a difference from the typical one-voice-with-occasional-music-cues you usually hear.
(And I always love hearing that Three Doctors "contact" sound!)
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lidar2
Castellan
You know, now that you mention it, I actually do rather like Attack of the Cybermen ...
Likes: 5,812
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Post by lidar2 on Jan 12, 2021 16:24:33 GMT
I always like to get an insight into what they do. Before I listened to the BF extras I always imagined they were people like Jones from the Police Academy movies.
Always strikes me as interesting though that whenever people talk about the need for more diversity at BF, they always mean high profile jobs like writers, directors, lead characters, etc. They never mean sound designers, who seem to be overwhelmingly male, but this never seems to cost anyone a second thought.
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