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Post by Deleted on Nov 4, 2021 14:29:22 GMT
Just as enjoyable as the Romance of Crime although this one will also require a re-listen during my watching of Season 17 on Blu-Ray.
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Post by grinch on Nov 4, 2021 14:30:16 GMT
An excellent script with a brilliant villain performance by Terrance Hardiman. I honestly hope he comes back to do some more for Big Finish in the future.
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Post by Deleted on Nov 5, 2021 12:32:56 GMT
I’ve put the wrong number in. It should be 4 not 3.
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Post by Deleted on Nov 5, 2021 13:15:29 GMT
I’ve put the wrong number in. It should be 4 not 3. you can edit titles if that’s what you mean.Just edit your first post Done it. |
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Post by nucleusofswarm on Nov 11, 2021 9:05:21 GMT
Man, what an utter shame about Roberts being, well, himself, because this was a pretty solid little story. A nice blend of Stones and City, like if Adams had commissioned Holmes during S17. Hardiman is a blast.
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Post by bonehead on Nov 11, 2021 20:53:37 GMT
This was my first experience of Gareth Roberts, and his three stories for Big Finish's Fourth Doctor are all great fun. This remains my favourite.
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Post by masterdoctor on Nov 11, 2021 21:19:15 GMT
I do wish these weren’t in any way associated with Roberts’, cuz if they weren’t, I’d buy them. But because of him, I simply just have no interest in buying or listening. No interest in listening to a story created by a bigot when there are so many equally if not better stories by people who aren’t garbage.
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Post by Kestrel on Nov 12, 2021 1:14:28 GMT
I do wish these weren’t in any way associated with Roberts’, cuz if they weren’t, I’d buy them. But because of him, I simply just have no interest in buying or listening. No interest in listening to a story created by a bigot when there are so many equally if not better stories by people who aren’t garbage. Does he get any royalties for these NAs, do you think? Just from the wiki it's not clear to me whether or not he had any personal involvement in these adaptations. |
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Post by masterdoctor on Nov 12, 2021 1:25:02 GMT
I do wish these weren’t in any way associated with Roberts’, cuz if they weren’t, I’d buy them. But because of him, I simply just have no interest in buying or listening. No interest in listening to a story created by a bigot when there are so many equally if not better stories by people who aren’t garbage. Does he get any royalties for these NAs, do you think? Just from the wiki it's not clear to me whether or not he had any personal involvement in these adaptations. I don’t imagine he does, and simply got a flat fee and it was adapted by Dorney. But for me personally, I just have no interests in listening to it or what else he has been involved in BF or TV. Just my personal preference, and totally understand most cases of separation of art from artist, he just isn’t one I can do that with. |
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Post by Kestrel on Nov 12, 2021 3:06:34 GMT
I get it.
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Post by bonehead on Nov 12, 2021 16:59:03 GMT
Man, what an utter shame about Roberts being, well, himself, because this was a pretty solid little story. A nice blend of Stones and City, like if Adams had commissioned Holmes during S17. Hardiman is a blast. I've just been reading up on Gareth Roberts' comments. Wow. Why would you write so often for something like Doctor Who, and then say 'if a Doctor Who fan died, even their mother wouldn't miss them (or words to that effect)?' Apart from being massively counter-productive, it's one heck of a thing to come out with - and it turns out that's just the tip of the iceberg. An utter shame for sure, because I have enjoyed his stories for Big Finish very much. |
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