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Post by Star Platinum on Jul 5, 2022 21:06:45 GMT
The mystery of the broken man is revealed, and Inquisitor Darkel plays her hand.
Narvin is getting some nice development, he isn’t quite one of the good guys yet, but he has a moral code and he’ll follow it.
We have some major developments for Braxiatel in this one, but where it goes in his personal continuity is beyond me, that’s a real Gordian knot, though I do believe that’s a thread picked up in the Benny range. (Looking forward to that, I’ve been chipping away at those for some time now)
Darkel really had Wynter hook, line and sinker, didn’t she. It’s been a long time since I’ve listened to these Gallifrey stories, and I’d forgotten just how nasty Darkel got. For me I have trouble separating her from the two trial stories with Colin Baker.
The arguing of jurisdiction got pretty old pretty fast I will admit.
The free time plotline has popped up again unfortunately, though it’s thankfully a small part. I remember the broad strokes, but not much of this plot, I’m not sure how they’ll play into pandora’s machinations.
All in all, a great story.
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Post by Kestrel on Jul 6, 2022 1:24:42 GMT
At one point I attempted to unpack that Gordian Knot -- I don't think it was after this story, but another story (in this range) where Brax "departs forever." My recollection is being told, in no uncertain terms, that the Knot cannot be untangled and Brad's continuity with Benny is even messier.
Which tracks.
Anyway, if this is the "Pandora arc," then Pandora is the story when everything--or most everything--finally becomes clear and the main conflict becomes apparent. Or in this case, most,y clear--there's still some ambiguity.
The big revelation is that Inquisitor Darkel has be behind all of the troubles Romana has dealt with since the beginning of the series. Or, at least, most of them. Darkel somehow knew about Pandora lurking in the Matrix long before anyone else (though who discovered who is an open question) except maybe Brax (good luck discerning what he knows at any given point in time). Darkel employed Andred in her schemes and, it seems, Darkel was the mysterious Time Lord backing the Free Time terrorists--meaning that Darkel was behind the attempted mass-poisoning at the Academy.
Hand-in-hand with that revelation, we very nearly get the reveal that the Broken Man was Andred all along -- though granted it would have been an obvious twist: he's the most important character in the cast who we, with the benefit of hindsight, know won't be staying around long. I think there could've been a version of this script, after a revision or two, where Andred becomes the Broken Man in an act of sacrifice, or duty, that redeems him. The point is (as inarticulate as I am) that I think this could have been an opportunity to rehabilitate Andred in the listeners' eyes (ears?) and transform him into a more likable, or at least more tolerable character. Alas.
Instead the big twist is that the Broken Man was actually Winters!
Who?
I kid, I kid. But honestly, Winters is just about the least-interesting possible answer to that question. It makes that whole subplot feel ultimately rather hollow and inconsequential. All it accomplishes,really, is inform us of the Regenerative Virus, which we could just as easily have learned from another, less convoluted source (like, say, an attempted mass-poisoning).
But enough of that. This episode is great, and a lot of that is down to Brax, so let's talk about Mr. Irving Braxiatel.
Brax, at least, does get to fully pull off a big act of self-sacrifice here, and it all plays out very dramatically, even if it doesn't make a whole lot of sense. Why are there three discrete incarnations of Pandora in the first place? It's weird. Thematically appropriate for a story about the Time Lords of Gallifrey, but weird. Might've been interesting if there'd been some foreshadowing of this--like three whispering specters in the Matrix, not one, each with certain idiosyncrasies revealing their nature, evocative of MacBeth's prophetic witches.
But it works because -- and this is something I harp on a lot -- Brax's actions have emotional resonance. Then real reveal of this episode is that Brax was, in fact, conniving his way into position and authority and power, not for its own sake (as seems to be the case with Darkel) but in order to place himself in a position where he could protect Romana. Or at least that's the implication I read from the events of the story.
Quote of the story: "I am leaving Gallifrey--because I choose to."
And with those words, powerfully delivered, Brax ends the episode, his TARDIS dematerializing as he exits the stage, presumably forever. (But for a being like Braxiatel, "forever" is, as ever, a far shorter span than one might expect.)
All-in-all there are aspects of this story that don't quite work for me, and areas where I think it could've been better. But I like the ending. A lot. It really Ramos up the stakes in a fun way, leaves with a rocky cliffhanger, and most importantly grants us insight into one of Doctor Who's most secretive characters. For the most part, I think it's a 4/5 story, but I enjoy that ending so much I'm gonna bring it up to a 5/5. This was the story that, in retrospect, really helped cement Braxiatel in my mind as one of my favorite characters in the franchise.
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Post by Digi on Jul 8, 2022 17:22:05 GMT
A really, truly excellent entry in the series. If there's one Gallifrey story that really defines the labyrinthine political/cloak and dagger/'DW does The West Wing' of the first three series, this is absolutely it. The twists and turns are excellent, the performances are top notch across the board, every character has something to do -- there's not a single scene wasted in the entire play.
...and the playback of when Wynter is mutilating himself may be one of the most grotesque/disturbing things Big Finish has ever recorded. It's very off-putting. I don't mean that it put me off the audio, I have an iron stomach for disturbing in my entertainment. Didn't bother me in that way at all. Rather I mean that it's entirely appropriately off-putting. It's a horrifying thing to listen to, which it absolutely should be given the story that's being told. We don't get much (any?) of this from Big Finish anymore, so it's really something to hear it here.
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