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Post by Deleted on May 19, 2021 7:32:09 GMT
Another Cargill motivator: Adding to that: It doesn't have to be all at once, either. Breaking it up into smaller portions can achieve the same result. Have the daunting prospect of writing 5000 words in a month? Start with 250 words. Just for that first day. Another 250 words that second. Another for a third. Keep going little-by-little. Day-by-day. After 20 days, all those 250 word increments have built up to 5000 words. Even if you manage 100 words in a day, it's still progress.
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Post by Deleted on May 19, 2021 8:01:08 GMT
Adding to that: It doesn't have to be all at once, either. Breaking it up into smaller portions can achieve the same result. Have the daunting prospect of writing 5000 words in a month? Start with 250 words. Just for that first day. Another 250 words that second. Another for a third. Keep going little-by-little. Day-by-day. After 20 days, all those 250 word increments have built up to 5000 words. Even if you manage 100 words in a day, it's still progress. Exactly, and it's never going to be a clear-cut example of 250 words exactly for every single day. Some days will be more, some will be less, but the end result will be the same.
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Post by mark687 on May 20, 2021 9:02:05 GMT
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Post by Deleted on May 20, 2021 9:02:08 GMT
At last!
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Post by timegirl on May 20, 2021 13:14:09 GMT
I have an idea for an entry I am rather excited about that I don’t think anyone has done before 😊
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Post by J.A. Prentice on May 20, 2021 17:05:10 GMT
Good luck to everyone entering!
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Post by Jeedai on May 20, 2021 17:17:33 GMT
Weird how a story idea I've been happy with for months just turned into something I'm second-guessing up, down and sideways...
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Post by timegirl on May 20, 2021 18:22:03 GMT
I know I can’t use Clara in the story as a featured character but would I be allowed to have characters talk about her absence without naming her?
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Post by masterdoctor on May 20, 2021 18:27:55 GMT
I know I can’t use Clara in the story as a featured character but would I be allowed to have characters talk about her absence without naming her? Best to email enquires/competitions to ask.
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Post by dasmaniac on May 20, 2021 18:35:06 GMT
You know, I'm gonna submit something this time. I've written professionally (I'm a political analyst) but not fiction. I've got a few ideas though.
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Post by timegirl on May 20, 2021 18:44:01 GMT
I know I can’t use Clara in the story as a featured character but would I be allowed to have characters talk about her absence without naming her? Best to email enquires/competitions to ask. Okay thanks 😊
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Post by constonks on May 20, 2021 21:35:28 GMT
Best to email enquires/competitions to ask. Okay thanks 😊 And do let us know - one of my "maybe" entries from a previous year depended on Clara being absent but mentioned and it might just end up being one I consider this year...
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Post by theillusiveman on May 21, 2021 1:26:58 GMT
So new who companions with the exception of Rose, Donna and Martha are excluded?
Why what’s wrong with say using Captain Jack or Jackson Lake or any of the Moffatt era companions?
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Post by timegirl on May 21, 2021 1:35:04 GMT
So new who companions with the exception of Rose, Donna and Martha are excluded? Why what’s wrong with say using Captain Jack or Jackson Lake or any of the Moffatt era companions? I know, I wish I could use Clara as a featured character 😔
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Post by aussiedoctorwhofan on May 21, 2021 1:51:29 GMT
The sheer effort involved in cultivating a story worthy of publishing. I send you all the goodest of lucks. 
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Post by Deleted on May 21, 2021 2:28:49 GMT
So new who companions with the exception of Rose, Donna and Martha are excluded? Why what’s wrong with say using Captain Jack or Jackson Lake or any of the Moffatt era companions? I know, I wish I could use Clara as a featured character 😔 Just imagine if you could, would it be the first Mature audiences only doctor who releases?  (I jest, would love to hear a Clara and twelve story penned by you 😊 I'm guessing you would explore some side of their relationship?)
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Post by timegirl on May 21, 2021 2:46:34 GMT
I know, I wish I could use Clara as a featured character 😔 Just imagine if you could, would it be the first Mature audiences only doctor who releases?  (I jest, would love to hear a Clara and twelve story penned by you 😊 I'm guessing you would explore some side of their relationship?) Aww thanks 😊 one day I would love to write a BF 12 and Clara story about their relationship ( with Capaldi and Coleman doing the voices of course)! I know exactly what storyline I would want to do with 12 and Clara as well 😉 Not a mature audiences only 12 and Clara story though😁*Whispers*:Those kinds of 12 and Clara stories only exist in my imagination (frequently) 😉 In the meantime I have an interesting idea for a Paul Spragg entry with 12 and another past companion 😊 Someday though hopefully 12 and Clara 🤞
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Post by eugeniep on May 24, 2021 12:49:48 GMT
Best of luck to everyone who is entering! At the risk of sounding presumptuous, I'd like to share a few tips that I personally found helped me a lot last year. Feel free to disregard if they don't resonate with you - every writer's process is different.
1. Read the previous winning entries - both the initial synopsis and 500 words, plus the finished studio scripts.
2. Listen to other Short Trips. Think about the ones you particularly like, and pay attention to how they are told. For example, does the story use 1st or 3rd person point of view? From whose perspective is the story being told - is it the Doctor? A companion? Somebody else - even a villain? Does the story employ any narrative devices like flashbacks? For example, I loved the Fourth Doctor story 'How to Win Planets and Influence People' because the main character had such a distinctive 'voice'. It inspired me to write my own entry using 1st person point of view.
3. Make sure your idea has sufficient conflict. I find it really helps to give your main character a clear goal to work towards or a problem to overcome. Doctor Who tends to also skew more towards happy endings (or at the very least, bittersweet endings), so I'd avoid making your ending too dark / tragic.
4. Keep your idea simple (as thirty minutes is relatively short run time), and consider whether there are any characters you can cut or combine. For example, a very early draft of my synopsis had Martha accompanying the Tenth Doctor, until I realised there was effectively nothing for her to do. So she was cut. Sorry Martha!
5. Keep an 'ideas for stories' notebook. The more ideas you generate, the more likely it is that at least some of them will be strong enough to develop into a story. I actually came up with the 'What if people had to pay to speak?' premise a few years ago, and had forgotten all about it until last May, when I was flipping through old notebooks, searching for inspiration.
6. Choose your Doctor carefully. For example, I chose to use the Tenth Doctor in my story, because he is the Doctor that loves the sound of his own voice, and it was a nice juxtaposition to place him in a world where the majority of citizens are silenced. Similarly, in Selim's story 'Landbound' the Third Doctor was an excellent choice, as his plight (being stuck on Earth) paralleled nicely with the main character's problem (being stuck on land). This may mean that you may have to decide between using your favourite Doctor, and a not-so-favourite Doctor. If it fits better with your story and its themes, I'd personally choose the latter option.
7. Resist the temptation to write your entire story before the results are out. If you win, chances are you'll be required to change something about your story - including some of the 'beats' or plot points. (Example: my synopsis had Aymius telling his story to his children in flashback. However, the end script had him tell it during an interrogation).
8. Don't be discouraged if you've entered in previous years without getting anywhere. I entered the 2019 Opportunity, and bombed out completely - wasn't even shortlisted.
9. On a similar note, be proud of yourself for giving this a crack! It takes courage and commitment to write a 500 word synopsis and 500 word extract, and submit it for consideration. Even if you're not successful on this occasion, it's still an amazing accomplishment!
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Post by nucleusofswarm on May 24, 2021 15:54:47 GMT
Legendary author Kurt Vonnegut had a set of eight rules of storytelling (his Creative Writing 101): - Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
- Give the reader at least one character he or she can root for.
- Every character should want something, even if it is only a glass of water.
- Every sentence must do one of two things—reveal character or advance the action.
- Start as close to the end as possible.
- Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.
- Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
- Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
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Post by Deleted on May 24, 2021 23:21:54 GMT
Best of luck to everyone who is entering! At the risk of sounding presumptuous, I'd like to share a few tips that I personally found helped me a lot last year. Feel free to disregard if they don't resonate with you - every writer's process is different. [...] 3. Make sure your idea has sufficient conflict. I find it really helps to give your main character a clear goal to work towards or a problem to overcome. Doctor Who tends to also skew more towards happy endings (or at the very least, bittersweet endings), so I'd avoid making your ending too dark / tragic. [...] 9. On a similar note, be proud of yourself for giving this a crack! It takes courage and commitment to write a 500 word synopsis and 500 word extract, and submit it for consideration. Even if you're not successful on this occasion, it's still an amazing accomplishment! A good example of a classically bittersweet ending is The Aztecs. It's a story that fundamentally ends in failure for the TARDIS crew, but there's still an element of hope to be taken from the final conversation in Mexico: That's Barbara's respite. Whether or not she takes it onboard, that's up to the character, but it's also there for us as the audience. We can see it, even if she can't (or won't). Tellingly, and this is the power of small details, the Doctor moves to discard the brooch given to him by Cameca. He pauses, hesitates, and instead decides to take it with him. In the immediate sense, it's a nice moment of demonstrating how the character was genuinely moved by her love. More broadly, it's an indication that the lessons learnt in The Aztecs won't be forgotten. Tragic though they were. One doesn't dilute the other (the bitter or the sweet), but instead enhances both aspects.
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