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Post by tuigirl on May 13, 2020 18:24:50 GMT
Totally on board with this. What TARDIS team would you want in a story like this?!š Well, 8, Liv and Helen... but we are now getting the domestics there already (although not in the TARDIS), so most likely won't happen.
Since I am right now watching 5 and his first crew- that might be fun, too.
Or Sixie could bring along his herd of companions.
Otherwise- 12, Bill, Nardole and Missy would have a ball!
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Post by timegirl on May 13, 2020 18:39:37 GMT
What TARDIS team would you want in a story like this?!š Well, 8, Liv and Helen... but we are now getting the domestics there already (although not in the TARDIS), so most likely won't happen.
Since I am right now watching 5 and his first crew- that might be fun, too.
Or Sixie could bring along his herd of companions.
Otherwise- 12, Bill, Nardole and Missy would have a ball!
I wonder what all those Doctors pajamas look like?! For some reason I picture 12 in silk pajamas and a smoking jacket and Sixie having pajamas that rival his coat in colorfulness!š
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Post by tuigirl on May 13, 2020 19:00:12 GMT
Well, 8, Liv and Helen... but we are now getting the domestics there already (although not in the TARDIS), so most likely won't happen.
Since I am right now watching 5 and his first crew- that might be fun, too.
Or Sixie could bring along his herd of companions.
Otherwise- 12, Bill, Nardole and Missy would have a ball!
I wonder what all those Doctors pajamas look like?! For some reason I picture 12 in silk pajamas and a smoking jacket and Sixie having pajamas that rival his coat in colorfulness!š My guess would be there will be questionmarks..
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Post by timegirl on May 13, 2020 19:07:40 GMT
I wonder what all those Doctors pajamas look like?! For some reason I picture 12 in silk pajamas and a smoking jacket and Sixie having pajamas that rival his coat in colorfulness!š My guess would be there will be questionmarks.. Yes lots!!š On a side note: Is it wrong I kind of want a story where the Doctor somehow either accidentally or not so accidentally ends up spending a whole day in his question mark underpants and not much else?! š¤£
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Post by tuigirl on May 13, 2020 19:12:47 GMT
My guess would be there will be questionmarks.. Yes lots!!š On a side note: Is it wrong I kind of want a story where the Doctor somehow either accidentally or not so accidentally ends up spending a whole day in his question mark underpants and not much else?! š¤£ Depends which Doctor we are talking.
We see Eight in his question mark underparts in the comics at least... and I think we can agree that would be a sight for sore eyes, not only for the Master...
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Post by timegirl on May 13, 2020 19:19:28 GMT
Yes lots!!š On a side note: Is it wrong I kind of want a story where the Doctor somehow either accidentally or not so accidentally ends up spending a whole day in his question mark underpants and not much else?! š¤£ Depends which Doctor we are talking.
We see Eight in his question mark underparts in the comics at least... and I think we can agree that would be a sight for sore eyes, not only for the Master... Either 8,9,10,11,or 12š Or if played even more comedically 4, 6, or 7š
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Post by timegirl on May 14, 2020 23:46:26 GMT
The best kind of Doctor Who stories are the ones with a strong emotional core! Itās a well and good to have a āfun runaroundā now and again but if I think back to some the of the best and most memorable Doctor Who stories itās because they had really good character drama. Even though Doctor Who is science fiction you need that interpersonal connection particularly with the Doctor and their companion(s) in order for it to work. Without that emotional connection it feels like something is missing and it feels less real. I love Doctor Who that really makes you feel things deep inside and leaves you reaching for the tissues!
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Post by Deleted on May 15, 2020 1:24:21 GMT
The best kind of Doctor Who stories are the ones with a strong emotional core! Itās a well and good to have a āfun runaroundā now and again but if I think back to some the of the best and most memorable Doctor Who stories itās because they had really good character drama. Even though Doctor Who is science fiction you need that interpersonal connection particularly with the Doctor and their companion(s) in order for it to work. Without that emotional connection it feels like something is missing and it feels less real. I love Doctor Who that really makes you feel things deep inside and leaves you reaching for the tissues! I'd say especially in science fiction you need that emotional core. It's all alien. Deliberately and inviolably. Characters in cultures separated by biology, ritual, prejudice, even something as simple as cuisine, all need to have an emotional touchstone. Because we're human and we bring a human perspective to what we absorb. That doesn't necessarily mean that you have aliens who are indistinguishable from humans. Far from it. But it does mean that there is a required element you can wrap your fingers around and say -- "Oh, I get this." Even in your fun runarounds. Planet of the Daleks, for its romp through the Spiridonian jungle, still has those quiet moments with the Third Doctor and the Thals. The commander struggling with the knowledge that now his partner has joined the mission, his judgement is compromised. He will put her safety above everyone else and that may get everyone else killed. But, it's as much her fight as it is his, and she runs an equal risk in the opposing direction. The Doctor reminds the commander that the connection is far more a strength than he realises:
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Post by timegirl on May 15, 2020 1:40:05 GMT
The best kind of Doctor Who stories are the ones with a strong emotional core! Itās a well and good to have a āfun runaroundā now and again but if I think back to some the of the best and most memorable Doctor Who stories itās because they had really good character drama. Even though Doctor Who is science fiction you need that interpersonal connection particularly with the Doctor and their companion(s) in order for it to work. Without that emotional connection it feels like something is missing and it feels less real. I love Doctor Who that really makes you feel things deep inside and leaves you reaching for the tissues! I'd say especially in science fiction you need that emotional core. It's all alien. Deliberately and inviolably. Characters in cultures separated by biology, ritual, prejudice, even something as simple as cuisine, all need to have an emotional touchstone. Because we're human and we bring a human perspective to what we absorb. That doesn't necessarily mean that you have aliens who are indistinguishable from humans. Far from it. But it does mean that there is a required element you can wrap your fingers around and say -- "Oh, I get this." Even in your fun runarounds. Planet of the Daleks, for its romp through the Spiridonian jungle, still has those quiet moments with the Third Doctor and the Thals. The commander struggling with the knowledge that now his partner has joined the mission, his judgement is compromised. He will put her safety above everyone else and that may get everyone else killed. But, it's as much her fight as it is his, and she runs an equal risk in the opposing direction. The Doctor reminds the commander that the connection is far more a strength than he realises: I agree with that you need emotion in sci fi! I often think that even though the Doctor is very alien, they are often more human than some actual humans on the showš¤ What you were saying about aliens who are far removed from humans having an emotional core I think a very good example of this is the episode, āThe Planet of the Oodā. The Ood look very strange and other worldly but you still feel for their emotional struggle being oppressed as a people.
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Post by Sir Wearer of Hats on May 15, 2020 5:43:43 GMT
Also has a villainās plot ever involved giving the Doctor a makeover? To fit their personal idealsš¤ Could be some interesting commentary there! Sounds *ahem* tailor-made for the Sixth Doctor. Might be a good Paul Spragg entry if done with the right tone! This is one I've thought about before! Either a virus like that or a life-changing injury of some kind. Imagine if Capaldi had stayed blind until he regenerated... Audio Visuals did a reoccuring plot line where the Doctor got injected with a highly addictive and destructive drug that he periodically suffered withdrawals from.
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Post by Sir Wearer of Hats on May 15, 2020 5:47:41 GMT
OHH hereās a wild thought - the previous sufferer of Regenerative doodah that the Twelve has was a Timeless Doctor, maybe the first attempt of the Division to wipe out memories of their past lifeās left āscar tissueā that meant they didnāt forget ANY part life (after the surgery), roll around āthe Eightā and theyāve worked out how to fix the damage so they willingly āsuicidedā and became the Hincliffe Doctors and eventually the Hartnell Doctors.
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Post by tuigirl on May 15, 2020 6:17:32 GMT
The best kind of Doctor Who stories are the ones with a strong emotional core! Itās a well and good to have a āfun runaroundā now and again but if I think back to some the of the best and most memorable Doctor Who stories itās because they had really good character drama. Even though Doctor Who is science fiction you need that interpersonal connection particularly with the Doctor and their companion(s) in order for it to work. Without that emotional connection it feels like something is missing and it feels less real. I love Doctor Who that really makes you feel things deep inside and leaves you reaching for the tissues! I'd say especially in science fiction you need that emotional core. It's all alien. Deliberately and inviolably. Characters in cultures separated by biology, ritual, prejudice, even something as simple as cuisine, all need to have an emotional touchstone. Because we're human and we bring a human perspective to what we absorb. That doesn't necessarily mean that you have aliens who are indistinguishable from humans. Far from it. But it does mean that there is a required element you can wrap your fingers around and say -- "Oh, I get this." Even in your fun runarounds. Planet of the Daleks, for its romp through the Spiridonian jungle, still has those quiet moments with the Third Doctor and the Thals. The commander struggling with the knowledge that now his partner has joined the mission, his judgement is compromised. He will put her safety above everyone else and that may get everyone else killed. But, it's as much her fight as it is his, and she runs an equal risk in the opposing direction. The Doctor reminds the commander that the connection is far more a strength than he realises: I agree. I have always been a big Sci-Fi fan, but had trouble with some of the "harder" stories... 20 years ago, I tried the Mars trilogy by Kim Stanley Robinson. It was a slog. I never finished it. It was like reading a technical manual. Yes, there are even sex scenes in space, but even these are written like assembly instructions for a circuit board.
Now compare this to some other novels taking place on mars- like the novels by Ben Bova or the more recent Martian, and you have actual readable books. Full of individual people, drama, conflict, and personal struggle.
And they do not even need any sex scenes.
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Post by timegirl on May 16, 2020 0:55:25 GMT
This is random but one thing I always wondered about is if the Doctor ever needs to use the toilet because at least that I can remember they never seem like they need to use public restroomsš¤
Also sometimes I wonder if the Doctor wanted to could they regenerate into a nonhumanoid form? I feel like they could but it would be very rare. Maybe this is something to be explored with one of the timeless Doctors.
Also I know ādancingā has a double meaning in the Doctor Dances, but because of that episode I always head cannoned 9 to be one the best dancers of the Doctors. I imagine 3, 6, and 12 tying for best singers of the Doctors.
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Post by Deleted on May 16, 2020 15:04:55 GMT
Sounds *ahem* tailor-made for the Sixth Doctor. Might be a good Paul Spragg entry if done with the right tone! This is one I've thought about before! Either a virus like that or a life-changing injury of some kind. Imagine if Capaldi had stayed blind until he regenerated... Audio Visuals did a reoccuring plot line where the Doctor got injected with a highly addictive and destructive drug that he periodically suffered withdrawals from. Sargol. Nasty stuff. What it does to ordinary people doesn't compare to what it can do to a Time Lord with access to a TARDIS. The father of the Doctor's companion, Ria, was responsible for the initial dosage as part of his schemes from Maenad. The ironic thing is that, for all the damage it did, the effects of the drug may have ended up saving his life. I'd say especially in science fiction you need that emotional core. It's all alien. Deliberately and inviolably. Characters in cultures separated by biology, ritual, prejudice, even something as simple as cuisine, all need to have an emotional touchstone. Because we're human and we bring a human perspective to what we absorb. That doesn't necessarily mean that you have aliens who are indistinguishable from humans. Far from it. But it does mean that there is a required element you can wrap your fingers around and say -- "Oh, I get this." Even in your fun runarounds. Planet of the Daleks, for its romp through the Spiridonian jungle, still has those quiet moments with the Third Doctor and the Thals. The commander struggling with the knowledge that now his partner has joined the mission, his judgement is compromised. He will put her safety above everyone else and that may get everyone else killed. But, it's as much her fight as it is his, and she runs an equal risk in the opposing direction. The Doctor reminds the commander that the connection is far more a strength than he realises: I agree. I have always been a big Sci-Fi fan, but had trouble with some of the "harder" stories... 20 years ago, I tried the Mars trilogy by Kim Stanley Robinson. It was a slog. I never finished it. It was like reading a technical manual. Yes, there are even sex scenes in space, but even these are written like assembly instructions for a circuit board. Now compare this to some other novels taking place on mars- like the novels by Ben Bova or the more recent Martian, and you have actual readable books. Full of individual people, drama, conflict, and personal struggle.
And they do not even need any sex scenes. Yeah, and the divide between the two is often an ever-changing one. "Soft" sci-fi was once wristwatch communicators, but with advances in the microchip, it's become an object you can purchase from a local Apple store. It's why I prefer to divide stories into "hot" and "cold" instead. Hot -- those focussing on the driver and passenger of a vehicle chatting together. Cold -- those focussing on the mechanics of the vehicle itself. Scientific plausibility is good, but after a certain point, it tends to be in the eye of the beholder. Life has a habit of imitating art to the point that what was once improbable is now distinctly possible (even sometimes quite mundane). Potentially radical thought: Looking back over some of the earlier stories in Doctor Who (the mention that trials are rare among the Time Lords in The War Games, etc.), I'm strongly tempted to believe that the Doctor might've gotten out during one of Gallifrey's better periods. True, the corruption and decadence may have been there from the start, but it doesn't feel quite as all-consuming as in later stories. I think that came later. Through their denial. The more they were reminded of the outside universe, the more they entrenched themselves into their isolation and sunk down into it.
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Post by tuigirl on May 16, 2020 15:46:57 GMT
Audio Visuals did a reoccuring plot line where the Doctor got injected with a highly addictive and destructive drug that he periodically suffered withdrawals from. Sargol. Nasty stuff. What it does to ordinary people doesn't compare to what it can do to a Time Lord with access to a TARDIS. The father of the Doctor's companion, Ria, was responsible for the initial dosage as part of his schemes from Maenad. The ironic thing is that, for all the damage it did, the effects of the drug may have ended up saving his life. I agree. I have always been a big Sci-Fi fan, but had trouble with some of the "harder" stories... 20 years ago, I tried the Mars trilogy by Kim Stanley Robinson. It was a slog. I never finished it. It was like reading a technical manual. Yes, there are even sex scenes in space, but even these are written like assembly instructions for a circuit board. Now compare this to some other novels taking place on mars- like the novels by Ben Bova or the more recent Martian, and you have actual readable books. Full of individual people, drama, conflict, and personal struggle.
And they do not even need any sex scenes. Yeah, and the divide between the two is often an ever-changing one. "Soft" sci-fi was once wristwatch communicators, but with advances in the microchip, it's become an object you can purchase from a local Apple store. It's why I prefer to divide stories into "hot" and "cold" instead. Hot -- those focussing on the driver and passenger of a vehicle chatting together. Cold -- those focussing on the mechanics of the vehicle itself. Scientific plausibility is good, but after a certain point, it tends to be in the eye of the beholder. Life has a habit of imitating art to the point that what was once improbable is now distinctly possible (even sometimes quite mundane). Potentially radical thought: Looking back over some of the earlier stories in Doctor Who (the mention that trials are rare among the Time Lords in The War Games, etc.), I'm strongly tempted to believe that the Doctor might've gotten out during one of Gallifrey's better periods. True, the corruption and decadence may have been there from the start, but it doesn't feel quite as all-consuming as in later stories. I think that came later. Through their denial. The more they were reminded of the outside universe, the more they entrenched themselves into their isolation and sunk down into it. Yes, I agree. I am not sure other time periods would have worked as well and would be as believable.
However, we always have to see that the story has grown and developed over the years- so maybe this is just how it had to develop? Didn't Verity Lambert say it was always the intention to have the character as anti-establishment? Even at a time when it was not established yet what the establishment was.
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Post by Deleted on May 17, 2020 1:01:16 GMT
Sargol. Nasty stuff. What it does to ordinary people doesn't compare to what it can do to a Time Lord with access to a TARDIS. The father of the Doctor's companion, Ria, was responsible for the initial dosage as part of his schemes from Maenad. The ironic thing is that, for all the damage it did, the effects of the drug may have ended up saving his life. Yeah, and the divide between the two is often an ever-changing one. "Soft" sci-fi was once wristwatch communicators, but with advances in the microchip, it's become an object you can purchase from a local Apple store. It's why I prefer to divide stories into "hot" and "cold" instead. Hot -- those focussing on the driver and passenger of a vehicle chatting together. Cold -- those focussing on the mechanics of the vehicle itself. Scientific plausibility is good, but after a certain point, it tends to be in the eye of the beholder. Life has a habit of imitating art to the point that what was once improbable is now distinctly possible (even sometimes quite mundane). Potentially radical thought: Looking back over some of the earlier stories in Doctor Who (the mention that trials are rare among the Time Lords in The War Games, etc.), I'm strongly tempted to believe that the Doctor might've gotten out during one of Gallifrey's better periods. True, the corruption and decadence may have been there from the start, but it doesn't feel quite as all-consuming as in later stories. I think that came later. Through their denial. The more they were reminded of the outside universe, the more they entrenched themselves into their isolation and sunk down into it. Yes, I agree. I am not sure other time periods would have worked as well and would be as believable.
However, we always have to see that the story has grown and developed over the years- so maybe this is just how it had to develop? Didn't Verity Lambert say it was always the intention to have the character as anti-establishment? Even at a time when it was not established yet what the establishment was. She did, yeah. In hindsight, his anti-establishment stance might not have looked too different from 1960s counterculture. Rebellion, calls to action, social movements, etc. I think the historical change in the Time Lords -- the progression from A to B, specifically -- is what makes it so interesting. The theory stems in no small part from what we've been doing for the Gallifrey Historia (17,000 words and climbing). Civilisations aren't static, they have their own slow passage through history, and as it turns out Gallifrey has a TARDISful. There have been a lot ups and downs in Time Lord history. Some things change, some remain the same, but I really like the concept that the Doctor might have fled during one of the Time Lords' more enlightened and rested eras. At a time when Gallifrey's more harmless, (dare I say) nobler elements were in power. At least, to human eyes. By getting out when he did, the Doctor dodged many of the cataclysmic events (barring perhaps one or two) that reshaped the Time Lord world view. The little nudges, like the Omega Crisis, that slowly whipped up their own tensions and transformed his People's attitude towards what we'd later see in The Deadly Assassin and so on. A pantheon of gods squabbling over increasing signs that they're not as detached from the cosmos as they first thought. First with Omega's power drain, then a presidential assassination, then an invasion of Gallifrey... All these incidents building up over time until they can't help but react. Poorly. The Doctor can say with all conviction that his People aren't the sort to wipe out a research station ( The Two Doctors). True enough when he left, but by the time he's brought in for that trial against the Valeyard, they are not the same people he left all those centuries ago. The establishment have gone from "galactic ticket inspectors" to something quite genuinely dangerous for everyone. So, for all his rebellion, he may have inadvertantly taken the better parts of their society with him. Something long gone on the Homeworld by the time of, say, the War. Kind of makes me wonder, had the Doctor left any later... what "lessons" from those darker periods of Gallifrey would have rubbed off on him?
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Post by sherlock on May 17, 2020 11:15:48 GMT
Yes, I agree. I am not sure other time periods would have worked as well and would be as believable.
However, we always have to see that the story has grown and developed over the years- so maybe this is just how it had to develop? Didn't Verity Lambert say it was always the intention to have the character as anti-establishment? Even at a time when it was not established yet what the establishment was. She did, yeah. In hindsight, his anti-establishment stance might not have looked too different from 1960s counterculture. Rebellion, calls to action, social movements, etc. I think the historical change in the Time Lords -- the progression from A to B, specifically -- is what makes it so interesting. The theory stems in no small part from what we've been doing for the Gallifrey Historia (17,000 words and climbing). Civilisations aren't static, they have their own slow passage through history, and as it turns out Gallifrey has a TARDISful. There have been a lot ups and downs in Time Lord history. Some things change, some remain the same, but I really like the concept that the Doctor might have fled during one of the Time Lords' more enlightened and rested eras. At a time when Gallifrey's more harmless, (dare I say) nobler elements were in power. At least, to human eyes. By getting out when he did, the Doctor dodged many of the cataclysmic events (barring perhaps one or two) that reshaped the Time Lord world view. The little nudges, like the Omega Crisis, that slowly whipped up their own tensions and transformed his People's attitude towards what we'd later see in The Deadly Assassin and so on. A pantheon of gods squabbling over increasing signs that they're not as detached from the cosmos as they first thought. First with Omega's power drain, then a presidential assassination, then an invasion of Gallifrey... All these incidents building up over time until they can't help but react. Poorly. The Doctor can say with all conviction that his People aren't the sort to wipe out a research station ( The Two Doctors). True enough when he left, but by the time he's brought in for that trial against the Valeyard, they are not the same people he left all those centuries ago. The establishment have gone from "galactic ticket inspectors" to something quite genuinely dangerous for everyone. So, for all his rebellion, he may have inadvertantly taken the better parts of their society with him. Something long gone on the Homeworld by the time of, say, the War. Kind of makes me wonder, had the Doctor left any later... what "lessons" from those darker periods of Gallifrey would have rubbed off on him? 17,000 words already!? We havenāt even done The Deadly Assassin yet š. Itās gonna be quite the novel when itās finished. It depends what account you want to go by for the Doctorās departure. The first telling, Birth of a Renegade, had him depart in the aftermath of a failed revolution by the students against a corrupt President. Though I suppose relatively speaking compared to what was to come for Gallifrey, this might be considered a high point.
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Post by Deleted on May 17, 2020 11:59:37 GMT
She did, yeah. In hindsight, his anti-establishment stance might not have looked too different from 1960s counterculture. Rebellion, calls to action, social movements, etc. I think the historical change in the Time Lords -- the progression from A to B, specifically -- is what makes it so interesting. The theory stems in no small part from what we've been doing for the Gallifrey Historia (17,000 words and climbing). Civilisations aren't static, they have their own slow passage through history, and as it turns out Gallifrey has a TARDISful. There have been a lot ups and downs in Time Lord history. Some things change, some remain the same, but I really like the concept that the Doctor might have fled during one of the Time Lords' more enlightened and rested eras. At a time when Gallifrey's more harmless, (dare I say) nobler elements were in power. At least, to human eyes. By getting out when he did, the Doctor dodged many of the cataclysmic events (barring perhaps one or two) that reshaped the Time Lord world view. The little nudges, like the Omega Crisis, that slowly whipped up their own tensions and transformed his People's attitude towards what we'd later see in The Deadly Assassin and so on. A pantheon of gods squabbling over increasing signs that they're not as detached from the cosmos as they first thought. First with Omega's power drain, then a presidential assassination, then an invasion of Gallifrey... All these incidents building up over time until they can't help but react. Poorly. The Doctor can say with all conviction that his People aren't the sort to wipe out a research station ( The Two Doctors). True enough when he left, but by the time he's brought in for that trial against the Valeyard, they are not the same people he left all those centuries ago. The establishment have gone from "galactic ticket inspectors" to something quite genuinely dangerous for everyone. So, for all his rebellion, he may have inadvertantly taken the better parts of their society with him. Something long gone on the Homeworld by the time of, say, the War. Kind of makes me wonder, had the Doctor left any later... what "lessons" from those darker periods of Gallifrey would have rubbed off on him? 17,000 words already!? We havenāt even done The Deadly Assassin yet š. Itās gonna be quite the novel when itās finished. It depends what account you want to go by for the Doctorās departure. The first telling, Birth of a Renegade, had him depart in the aftermath of a failed revolution by the students against a corrupt President. Though I suppose relatively speaking compared to what was to come for Gallifrey, this might be considered a high point. Oh, yeah. I've been wondering on and off why I feel so tired... Question asked, question answered. The amazing thing is that we've been able to keep most, if not all of the writing consistent across the centuries. That takes some doing. I'm extremely excited for some of the eras we've done already. I don't think some of them have been explored in quite as much depth as we've done there. It's a really solid job. Funny you say that. The document I linked above is the original source for the Heirs of Rassilon. It's an idea from J.A. Prentice and it posits the very interesting premise that the Doctor's journey as seen in Lungbarrow may not have been the one that forced him to leave his home completely. He visited the ancient past, returned in secret with Susan, then when the situation became untenable, he spirited his granddaughter and the Hand of Omega out among the stars.
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Post by timegirl on May 21, 2020 0:31:09 GMT
Odd opinions and theories Anything can happen in the whoniverse and nothing is too weird or improbable to occur! I donāt think any plot lines can be too out there in Doctor Who?I think itās silly to put a limit to what happen to the Doctor, nothing should be considered too strangeš I think itās interesting when incarnations of the Doctor are temporarily out of character or play with the character type. What if the Doctor regenerated into a teenager? It could be interesting if the Doctor had to deal with people constantly underestimating them because they look 16 or younger. I think it could work if the incarnation was a particularly serious or mature. They could have companions who were actually teenagers as well. Perhaps the Doctor has to go undercover as a student at Coal Hill School?š¤ Is It weird I kind of want a Doctor Who episode where the Doctor enters an alternate reality where the entire world is like an animated Disney fairytale and everyone sings and itās ruled by an evil Walt Disney stand-in.The Doctor and companions would become animated and start singing too! I want a musical episode (tv or big finish) in the style of Rocky Horror Picture Show, the campier the better! The Doctor I would most want to hug is 12 because even though he is grumpy he is still deep down sweet and lovable like an extremely awkward and grumpy Scottish teddy bear š We need more just weird and surreal episodes!
What if there was an episode that explored how a lot of inanimate objects look like they have faces? I wonder if there is a reason for that...
I think the final incarnation of the Doctor will ultimately decide to turn themselves human permanently due to their love of humanity and decide they want to spend the rest of their life as one of them. Only they will find a way to do it so they can remember their past lives as well. They will still be as amazing as ever though! The Doctor and Clara will eventually reunite and restart their relationship but healthier this time since both will have learned from their mistakes. The Doctor will stay with her last few years before Clara has to return to her death.
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Post by tuigirl on May 21, 2020 9:32:28 GMT
Is It weird I kind of want a Doctor Who episode where the Doctor enters an alternate reality where the entire world is like an animated Disney fairytale and everyone sings and itās ruled by an evil Walt Disney stand-in.The Doctor and companions would become animated and start singing too! We kind of get this in Zagreus! although without the singing.
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